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與談人：國立暨南大學原民中心主任 邱韻芳老師
＜Mgaluk Dowmung正要連結銅門—銅門家族的故事＞
在日本殖民時期的1918年，木瓜溪上游山區各家族部落開始遷住到木瓜溪中游河階台地，直到1928年即被稱為銅門部落。部落形成迄今不到百年的時光裡，部落環境隨著社會變遷而轉變，部落裡的耆老也逐漸離開，記憶慢慢的退化，細節也漸漸遺忘，但從何而來的家族脈絡歷史，卻如此的鉅細靡遺。
「要通往傳統的大門已經關閉！」對於自身是太魯閣族的孩子，因為關閉的大門的啟發，開啟了與部落各個支系家族的對話與追尋，透過口述流傳下來的家族故事，透過影像的轉譯把我們聚集在一起，傳統時代已經過去了，現代的生活習慣也改變了我們，但是Gaya核心仍然不變，Mgaluk Dowmung把大家串連在一起，我們這個族群才能被看見。
In 1918, during the Japanese colonial period, the tribes in the upper reaches of the Mugua River began to move to the river terraces in the middle reaches of the river, and in 1928, they became known as the Tongmen tribe. In less than a hundred years since the formation of the tribe, the tribal environment has changed with social development, and the elders of the tribe have gradually left, so their memories have slowly decayed and details have been gradually forgotten, yet the history of the family lineage from which the tribe originated is incredibly detailed.
“”The gate toward tradition is closed!”
For myself, a child of Seejiq Truku, the inspiration of the closed gate has opened up a dialogue and a search with the various clans of the tribe, and the family stories that have been passed down through oral tradition and translated through video have brought us together. Traditional times have passed and modern habits have changed us, yet the core of Gaya remains the same, Mgaluk Dowmung ties us all together so that we as a community can be seen.
►►觀影購票：https://reurl.cc/ze2Mg6
導演簡介──冷兒蘭．侯文（余欣蘭導演）
太魯閣族人，生於花蓮銅門部落，Rngrang是名字，Hungul是父親的名字。2007年學生時期拿起DV拍攝第一部短片「認同感」探討自身認同與族群議題。2009年的八八風災（莫拉克颱風）後在屏東的各部落陸續拍攝完成幾部風災與遷村的族群議題，共有兩部長片與錄像實驗影片。作品大多記錄以女性人物為主，長期關注族群與性別議題，目前為自由影像工作者。
工作人員
• 製片：東冬．侯溫
• 導演：冷兒蘭．侯文
• 剪接：薩拉爾勒什．笛笛布
• 攝影：薩拉爾勒什．笛笛布、冷兒蘭．侯文
• 空拍攝影：Tommaso Muzzi
• 製作協調：彼霖．伊得、周梅英
• 影片歷史諮詢顧問：旮日羿．吉宏
• 美術設計與片名：方玉如
• 音樂：兒路創作藝術工寮
• 太魯閣族語翻譯：周梅英
• 紀錄片宣傳製作：兒路創作藝術工寮
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